Sebastian Jacobitz is a street photographer from Berlin, Germany, and this is his submission for the Get Your Work On series.
It features a set of images from Berlin's Ku'Damm shopping street, taken with a long exposure and a flash. I don't shoot using this technique myself, so it's great to feature the work of someone who does, and who does it well.
Come check out Sebastian's photography and see how you can #GetYourWorkOn too.
Although the Yashica Y35 digiFilm project reached its Kickstarter goal very quickly, it's been dismissed by many as silly and pointless.
As someone who backed the campaign, I thought I'd stick my head above the parapet and talk through what I like about the concept.
Some of what I think may turn out to be wrong once the cameras ship, but that doesn't matter. This is merely an honest view from where I am right now.
The Konica Hexanon AR 50mm f1.7 has always had a reputation for sharpness; ever since it was first produced back in 1973. But how does it stack up today when used on a digital body?
The short answer is 'pretty well, actually'. The longer answer can be found in this comprehensive review. It includes a brief history of the lens, a report on its build and image quality, my opinion on using it for street photography, and of course some real world test shots.
Come read and learn more about this popular and inexpensive vintage lens here.
Qingdao is synonymous in China for its beer, but there's more to the place than drinking. Having said that, the Tsingtao brewery and beer street *is* a must visit if you're in town.
So too are the beaches.
So with a single roll of Ilford Pan 400 to work with, I focused this photography essay on those two things - the beach and the beer. Come see how it turned out.
Photographs 61 - 90 of the #leesixtyfive project are done, which gives me the chance to write you another update.
While the last edition talked about the 20-mile march, this one put it into practice due to me hitting a bit of a wall creatively. The motivation to make photographs waned a little but, thankfully, the desire to not quit the project prevailed.
Come read more about what went down, see the photographs the month produced, and get inspired to work on a photography project of your own.
Film-aged Shanghai is a collection of street photography by the city's own Lu Yuanmin, shot on monochrome film in a Lomo LC-A.
The photographs themselves are good. Some are very good. But it's the body of work as a whole that interests me - photography projects and books are always greater than the sum of their parts.
Come see how Film-aged Shanghai can inspire you with your own future photography projects, and maybe even your future photography books, in this review.
Another edition of Get Your Work On and another great addition to the growing number of submissions.
This one features the beginning of a project by Mambo Ferido, a street photographer based in Singapore. Having chosen a theme, Mambo is now working to make his project a reality.
Come see what that theme is, why it's important to choose one, and how doing so can help you take your street photography to the next level too.
The #leesixtyfive project has passed another milestone, which means writing up another blog post.
This one covers photographs 31 - 60 and features some rambling on the Antarctic explorers Roald Amundsen and Robert Falcon Scott, and Instagram hashtags. You're going to have to come read it to see how those topics line up.
If you're doing or thinking of doing a 365 project yourself, the message in this piece can help keep you going. I mean, it's not like you're trekking to the South Pole, is it. Is it?
I wrote a post before about whether success was - or could be - scarier than failure. I genuinely believed it was. And then I heard a statement that instantly turned that opinion on its head. It killed my belief in it. And that's a great thing.
We should all be willing to change our minds if new evidence convinces us our opinion on something might not be right. Strong opinions loosely held. That's the gist of this post.
Come read to see what the statement was that made me realise my opinion had been wrong.
You've probably noticed that a lot of street photography is presented in high contrast monochrome, but have you ever stopped to wonder why?
It's now pretty much an accepted 'street photography look', but what are its origins? How and why did this look become a thing?
Dmitri Tcherbadji has a theory. It goes back decades, and stems from film photographers having to overcome a technical issue with their gear. Come read and learn what that is.
Confession time. Despite having this website all about vintage lenses and street photography, I haven't actually been doing as much shooting as I could or should.
Perhaps I was burnt out. Or uninspired. I don't know, but I needed a reason to go out more often with my camera. So, thinking that every day would probably be often enough, I started a 365 project.
Of course I then had to call it the #leesixtyfive project. This is how the first 30 days of it went down. Come read, come see.
If you're looking to buy vintage lenses or pretty much any camera gear in Shanghai and don't want to order online, there's really only one place you'll need to go.
That place is Xing Guang Photographic Equipment.
A 6-storey department store full of cameras, lenses, studio equipment, and all the accessories you'll ever need, it's my go-to place for my vintage lenses. Come see why, and learn all about how to go there to fulfil your photography gear needs too.
This edition of Get Your Work On features Mitchel Lensink's landscapes from his hometown of Amersfoort, in The Netherlands.
Mitchel typically hits the streets after the rain has stopped to take advantage of the puddles. The process - using reflections to creatively shoot a small yet distinctive Dutch town - produces a look that I now find instantly recognisable.
Come see how Mitchel is carving his own niche and how he hopes to get his work into people's hands and not just onto their screens.
More film photography, right here. And this time we're shooting monochrome.
Ilford Pan 400 is a film available in Asia. It's not expensive, but does that make it worth buying if you're in the area? Or even getting some shipped if you're not?
To find out, I shot some Shanghai street photography with it. Here, in this very article, you can come see how it turned out. Come one, come all. Come on. Come in.
Yuhuan is a small, industrial city on China's east coast. I don't think many people go there for the sightseeing.
I went there for a Chinese New Year and took my charity shop film camera and two rolls of Ilford Pan 400. I wanted to tell a story. I wanted to present Yuhuan as I saw it.
This film photography essay is the result of that. Come take a look.