The Street Photography Look by Dmitri Tcherbadji [Ilford Pan 400]

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If you’ve ever wondered why so much street photography is shot (or edited) to have a high contrast monochrome look, this guest post could be for you.

It features an insightful theory from Dmitri Tcherbadji; a very keen film shooter who I’ve known for a few years now.

When Dmitri submitted his piece, he was a little concerned he might be saying something everyone was already aware of. However, I know that’s not the case, as it’s something I had never even considered myself.

Maybe you have, but there’ll be plenty of people (aside from me) who can learn a little something here so I’ll shut up and let Dmitri have the floor.

The street photography look

“One of the questions I had back when I was starting with photography was what’s with the crazy contrast in street photos?

Due to lack of education on this topic at the time, I attributed it as a genre gimmick. It was 2009; the inception of HDR and high-contrast, high-saturation images. Crazy was normal back then.

However, even today street photos remain predominantly black-and-white and high in contrast. If I had studied the history of photography, I would have known why sooner.

But instead, the answer came to me suddenly and recently.

Push-processing

I’ve been shooting film for a while but I’d never push-processed it until recently. I never had the need to.

The technique became necessary when I decided to take some photos of a local band at a dimly-lit venue.

Push-processing is a method of keeping the film in the developer for longer-than-usual periods of time. This effectively gives the film a higher ISO rating, allowing me to shoot at faster speeds.

However, doing so comes at the price of a higher contrast in the resulting image.

The images here were taken with my Canon QL25 and are real world examples of this; they were shot on Ilford Pan 400 pushed to ISO 1600.

Incidentally, pull-processing is the opposite of the above. It yields a lower contrast in the images and is used as a way to tame over-exposed images.

How push-processing helped develop the street photography look

Street photography is always quick. You don’t get to spend a minute getting a perfect focus on your subject (even with autofocus).

That’s why shooters often choose to take images with small apertures (high f-values) which give a much deeper depth of field.

However, this more forgiving focus setting lets less light into the camera and thus requires a more sensitive (higher ISO) film.

This cannot be solved with a slower shutter speed because of the nature of street photography: lots of quick motion with a high potential to become one big smear.

In many circumstances, the film has to be so sensitive that a rating typically required to comfortably shoot street – around ISO 1600 to 3200 – isn’t commonly available.

So we push the film. We push-process it and it ends up with a lot more contrast.

Of course, a street photograph does not have to be shot this way; especially now with digital cameras that can shoot at ISO 3200 no problem with little noise and no contrast artefacts.

But for decades before that, push-processing was common. As we know, this gave the photographs more contrast.

This led to high-contrast monochrome becoming a ‘street photography look’, and remaining so even to this day.”

Wrapping up

I love this butterfly effect kind of stuff. Thinking about timelines and how something in the past led to where we are today is fascinating.

I like the idea that a manual workaround developed for a technical analogue issue decades ago continues to affect the look of a lot of #streetphotography being uploaded to something like Instagram today.

I don’t know why I like that idea in particular. I just do. And I thank Dmitri for sharing it with us here.

If you have any film photography work that you’d like to share, you might want to check out Dmitri’s site Analog Cafe; a place where film photographers like you can tell their stories.

Alternatively, you can tag your Instagram posts with @analog_cafe to have them reposted there, and be sure to follow the Instagram and Twitter accounts too. 🙂

… p.s. if you found this account of push-processing useful and think others will too, why not share or pin it?
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