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The Shoot All the Films Project

Back when I picked up my first two film cameras on an impulse buy in a charity shop, I had no idea how much or how little I would move away from shooting vintage lenses on digital bodies and get into the analogue side of things.

I had no idea what the Kodak Colorplus was that I bought to test them out with, and I had no idea how many other film stocks were still being produced and are still widely available.

This all means I had no idea that from such beginnings would come a project that, depending on how you look at it, is either going to take a long time to finish or just be impossible to. But as we’ll get into later, that’s not a bad thing at all.

So here we are, with the shoot all the films project. It’s not terribly complicated. In fact, it’s exactly how it sounds. I’ve already made a start, and now I just need to carry on.

To carry on with the long-term and perhaps never-to-be-completed goal to shoot all the films.

Table of Contents

  • The shoot all the films review library
  • The shoot all the films photo essays
  • The shoot all the films guest posts
  • The infinite game of shooting all the films
  • Past and future benefits of the shoot all the films project
  • Actually wrapping this up now

The shoot all the films review library

If this is your first time here at My Favourite Lens, you may not know that I’ve already shot and talked about a number of film stocks already. The most popular posts on them are by far the reviews.

These detail the films’ history, image quality and qualities, how good they were for the type of photography I did with them, some information for development, and general overall thoughts.

I try to make the reviews as useful as I can for you, with plenty of information about the film to take away as well as lots of real-world example photographs and tips to help you know what to expect and to get results you’re happy with from the films too.

To make it easier to find a particular film stock, they’re listed in alphabetical order below. To see the reviews as they were written in chronological order, you can head over to this page here.

Agfa Vista Plus 200

Agfa Vista Plus 200 35mm Film Review

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cinestill 800t film

CineStill 800T 35mm Film Review

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Fujicolor C200 35mm Film Review

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fujicolor industrial 100 film

Fujicolor Industrial 100 35mm Film Review

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Fujicolor Industrial 400 35mm Film Review

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fujicolor natura 1600 film

Fujicolor Natura 1600 35mm Film Review

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Ilford Delta 400 35mm Film Review

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ilford hp5 plus

Ilford HP5 Plus 400 35mm Film Review

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ilford pan 400 film review

Ilford Pan 400 35mm Film Review

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ilford xp2 400 film

Ilford XP2 Super 400 35mm Film Review

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jch street pan film review

JCH Street Pan 400 35mm Film Review

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Kentmere 400 35mm Film Review

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kodak colorplus film

Kodak ColorPlus 200 35mm Film Review

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Kodak Ektachrome E100 35mm Film Review

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kodak ektar 100 box

Kodak Ektar 100 35mm Film Review

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Kodak Gold 200 35mm Film Review

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kodak portra 400 film

Kodak Portra 400 35mm Film Review

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kodak pro image 100 film

Kodak Pro Image 100 35mm Film Review

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Kodak Ultramax 400 35mm Film Review

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Oriental Seagull 100 35mm Film Review

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rollei retro 400s film

Rollei Retro 400S 35mm Film Review

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The shoot all the films photo essays

As well as the reviews, I also write a couple of photo essays showing the results I get from each film and a few accompanying thoughts. The number of posts and the topics vary with each film.

Some of these are informational, some are motivational, and some are personal travelogues or similar. But whatever they are, they aren’t all about me.

While I’m no expert and am likely not the best photographer whose work you’ll see today, I try to ensure these posts have at least something you can take away and apply into shooting the films yourself.

The number of essays will only grow as I get more films shot, so dig in today while this chronologically-ordered section is the smallest it will ever be. 

london underground film photography

A Little Taste of London Underground Film Photography [Kodak Tri-X 400]

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Some City of London Film Photography [Kodak Tri-X 400]

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Multi-Project Shooting With a Lesser-Known Kodak Film [Kodak Pro Image 100]

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shanghai film photography

The Double Shanghai Film Photography Project [Shanghai GP3 100]

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The Sequel to the First Roll in the Yashica Electro 35 GSN [Fujicolor Industrial 100]

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Finite and Infinite Games and Your Photography Creation [Rollei Retro 400S]

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underrated film rollei retro 400s

Spreading the Word About One of My Favourite Underrated Films [Rollei Retro 400S]

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Sunny Street Shooting With a Cheap ISO 100 Colour Film [Kodak Pro Image 100]

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slide film street photography

Shooting Street Style With a Fine Slide Film [Kodak Ektachrome E100]

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Shooting a High ISO Colour Film in Low Light [Fujicolor Natura 1600]

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Shooting Street With One of the World’s Most Expensive 35mm Films [Fujicolor Natura 1600]

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Shooting Street With Kodak’s Iconic Budget Film [Kodak Gold 200]

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ilford professional film

Shooting Street With Ilford’s Professional Film [Ilford Delta 400]

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Trying a New Film in My Old Neighbourhood [Ilford XP2 Super 400]

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Finally Visiting Shanghai’s Jing’an Temple [Kodak Portra 400]

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The Fear of Success and Judgement of Your Photography [Ilford HP5 Plus]

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Shooting Street With Kodak’s Most Popular Film [Kodak Portra 400]

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Photographers – Show As Much of Your Work As You Can [Fujicolor C200]

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shanghai urbex

A Spot of UrbEx in Shanghai [Kodak ColorPlus 200]

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expired film fail

My First Expired Film Fail [Kodak Dental Photographic Slide Film]

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Why You Should Vary What You Shoot [Kodak Ektar 100]

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ilford's most iconic film

Finally Shooting Ilford’s Most Iconic Film [Ilford HP5 Plus 400]

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ektar 100 street photography

Shooting Street With Kodak’s Most Vivid Film [Kodak Ektar 100]

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yangshuo bamboo boat tourists

The Development of Yangshuo – China’s Most Beautiful Tourist Trap [Fujicolor C200]

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Shooting More Ilford Pan 400 in Shanghai

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shanghai instax project

Shanghai in an Instant – a Fujifilm Instax Project

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The Shopfronts and Subway Series [CineStill 800T]

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littlest holga shanghai lee webb

Lessons Learnt from the Littlest Holga [Shanghai GP3 100 + Lomography 100]

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Nothing New Under the Sun [CineStill 800T]

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Showing You the Stragglers [Oriental Seagull 100]

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Shots from the Shanghai Marriage Market [Oriental Seagull 100]

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Shooting Film at Jinshan – Shanghai’s Best Beach? [Fujicolor C200]

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Nanchan Temple Revisited [Kodak Ultramax 400]

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Water Colour Pictures in Wuxi, China [Fujicolor Industrial 400]

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A Shot in the Park [Kentmere 400]

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Catching Colour in Wuxi, China [Kodak Ultramax 400]

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Two Simple Black and White Film Photography Tips [JCH Street Pan 400]

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Parks and Recreation [Kodak Gold 200]

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shitang wenling

Two Fishing Villages in Shitang, Wenling [JCH Street Pan 400]

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jing'an sculpture park shanghai

Jing’an Sculpture Park, Shanghai [Oriental Seagull 100]

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Small City Street Photography [Kentmere 400]

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Rushin’ Around the Cotswolds [Silberra Pan 200]

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Say Hello and Wave Goodbye [Agfa Vista Plus 200]

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Longhua Martyrs’ Memorial Park, Shanghai [Agfa Vista Plus 200]

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Edinburgh Street Photography on Russian Film [Silberra Pan 200]

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Fishing for Eyes in the Good Light [Kodak ColorPlus 200]

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The First Roll from the Yashica Electro 35 GSN [Fujicolor Industrial 100]

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qibao temple pagoda

Chasing Light in Qibao Old Town [Fujicolor Industrial 100]

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A Few from the m50 Art District, Shanghai [Fujicolor Industrial 100]

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shitty camera challenge

Shooting for the First Shitty Camera Challenge [Rollei Retro 400S]

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A Failed Photography Trip to Nanxun Water Town [Fujicolor Industrial 100]

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The Beach and the Beer – a Qingdao Film Photography Essay [Ilford Pan 400]

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Shooting Ilford Pan 400 in Shanghai

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Yuhuan – a Film Photography Essay [Ilford Pan 400]

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Testing the Olympus Supertrip in Shanghai [Kodak ColorPlus 200]

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Testing the Canon Sure Shot AF-7 @ Airport Square, Chongqing [Kodak ColorPlus 200]

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The shoot all the films guest posts

Although all of the above articles are mine, you can submit your own work to the #shootallthefilms project too – just like these people did with the posts below.

I do want to keep the reviews exclusively for my own work, as that’s kind of dictated by the personal nature of the project. But if you have some film photography you want to show the world in the form of an essay or article, I’d love to publish it.

It could be informational, it could motivational, it could be about the film, or it could be about what you were doing or where you were when you shot the film. So long as it’s interesting in some way, it’s all good.

To see about getting something submitted, check out this page or just email me at lee@myfavouritelens.com and we’ll take it from there.

A Trip to Mexico by Jacob Martinez [Fujicolor 200 + Superia 400]

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theo santana trip to iran

A Trip to Iran by Theo Santana [Kodak Gold 200 + Fujicolor C200]

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The Street Photography Look by Dmitri Tcherbadji [Ilford Pan 400]

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The infinite game of shooting all the films

Now you’ve seen everything that’s been published for the project so far, let’s take a little time to explain why I want to even do this.

It begins with a book published in 1986, written by James P. Carse, that details the differences between finite and infinite games. It’s a concept I found interesting enough to write a blog post exploring how it can affect your photography and any other creative output.

If you don’t want to read that whole essay, a basic explanation could be to compare a football match to two people kicking a ball to one another in the park. The first has rules and the reason for playing is to win, while the second has no rules and the reason for playing is to enjoy playing.

Specifically, a football match only goes on for 90 or so minutes. At the end of that time, whoever scored the most goals wins. It has an endpoint and a result. The people kicking the ball between themselves in the park though could do it every day for the rest of their lives merely because they like doing it.

Although I wasn’t aware of the concept of finite and infinite games at the time, the #leesixtyfive project I finished in 2018 was a finite one. 365 photographs in 365 days. A target to meet and a set date to end on.

By comparison, shooting film and publishing the results and the reviews on here seemed more like an infinite game.

There’s no fixed time where the process will stop, and it could be argued that it’ll be impossible to ever actually complete this to its stated aim. That really does depend on what you understand all the films to mean.

While it would take a long time, I could go through and shoot every film on Emulsive’s list of stocks currently produced and sold. But then you have all the obscure rebrands and discontinued and expired stocks down the years to consider too, if you truly want to shoot them all.

Regardless though, just creating a long – perhaps even lifelong – finite game in the form of this project, rather than shooting film after film in an aimless infinite one, gives me more purpose.

So, again, here we are. Just as I had no idea what would happen when I picked up those first two film cameras, I don’t really know where this thing might lead.

But there’s only one way to find out. And that, for as long as I’m physically or mentally able, is to shoot all the films.

Past and future benefits of the shoot all the films project

It’s almost time to wrap this up now, because I’ve got films to shoot and essays and reviews to write.

But before I do that, I want to outline some past and future benefits of doing this whole thing and hopefully inspire you to begin or continue creating something of your own.

As I’ve already mentioned, I’m not the best photographer whose images you’ll probably see today, and I’m certainly not the most knowledgeable person whose words you’ll read today either.

But what I am is a more comfortable, confident, and knowledgeable film photographer than I was back when I picked up those first two film cameras. And if I continue to do this, I should be more comfortable, confident, and knowledgeable again in a year than I am now.

At the time of writing this, I have no experience in developing my own film. It’s not a priority to try right now, but one day it might be. That does seem a natural next step to take, and I’ll give it a go as soon as I have the desire to do so.

Before I made my first film photo zine, I’d never made a film photo zine before. Or any other kind of publication. But because I started shooting film and got through enough Rollei Retro 400S to put one together featuring shots taken only on that stock, I now have.

It doesn’t matter what we do in life. The simple fact is we’re never going to be the finished article. The progression and improvement is all we can really ask for, and that’s something this project is giving me.

Past benefits? Learning a lot about all the films I’ve already shot. Becoming a more comfortable, confident, and knowledgeable film photographer. Getting that first zine published.

Future benefits? Having a purpose and a goal that will likely never be achieved. Because it feels to me like the kind of thing you do and then don’t get the huge high you’d been expecting once it’s done.

That means the process has to be where the enjoyment is, and that’s the main future benefit of this for me.

Always improving, progressing, and finding happiness in a finite game so difficult to finish that it’s essentially an infinite one, rather than reaching the final whistle and not knowing what to do next.

Actually wrapping this up now

Thank you for reading this far. It really is time to wrap this up now and I’ll do so with a few ways you can get involved or support this project, should you want to.

First, as mentioned, is to submit a film photo essay of your own and have it published in the #shootallthefilms guest post section. In return for doing so, you’ll get eyes on your work and links to your own stuff online too.

Second, if you’re looking for somewhere to buy some film too, is to use this link and get it from Analogue Wonderland. It’ll support their business, help me build some loyalty points towards money-off vouchers, and will see you get a free roll of film too if it’s your first time buying from them.

Third, if you’re a fan of seeing film photography in print and not just on a screen, would be to check out the Shanghai Streets zine I put together. Buy a copy if you want, or share the link with anyone else you feel might like it too.

And similar to that, the final way you can support this project if you feel it deserves it, is again just to share it with anyone you think might be interested in it and hopefully be inspired by it to do something of their own too.

Thanks for reading. Dig into the archives. Leave a comment below. Say hello on Instagram or Twitter. Better still, head out with your camera. It’s time to shoot all the films.

Lee  😀

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  • A Little Taste of London Underground Film Photography [Kodak Tri-X 400]
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